Di
搜索"Di" ，找到 2517部影视作品
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阿里斯特·格里尔森
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在巴布亚新几内亚某地一个人迹罕见的原始丛林腹地，有一个号称洞穴之母的巨洞——伊萨·阿拉。腰缠万贯的探险家卡尔（Ioan Gruffudd 饰）一掷千金，雇用拥有丰富洞穴探险经验的弗兰克（Richard Roxburgh 饰）及其团队对这里进行勘查。转眼之间几个月过去，伊萨·阿拉的勘探虽然颇见成效，但进度仍显缓慢。与此同时，强烈的热带风暴即将到来，洞穴探险迫在眉睫。卡尔为此和弗兰克发生争吵，而后者孤注一掷，和早已身心疲惫的搭档茱德（Allison Cratchley 饰）潜入水中，挑战有着“魔鬼之限”之称的凶险通道。另一方面，卡尔的女友维多莉亚和弗兰克的儿子乔希也到洞中探险。殊不知灭顶之灾正在逼近…… 本片根据Andrew Wight在西澳大利亚探洞时的真实经历改编，采用《阿凡达》的3D摄像机拍摄。
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南尼·莫莱蒂
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伊凡尼（南尼·莫莱蒂 Nanni Moretti 饰）有一个和睦温暖的家庭，儿子安德烈和女儿艾琳更是让这个家庭乐也融融。而伊凡尼身为心理医生，常常接触到各式各样的心理病患者，从而更加珍惜目前的生活。然而生活的残酷随之而来，在一个看上去平常的早晨，却传来了一个令这个家庭为之崩溃的消息——儿子在潜水运动中遇上不测，不幸身亡。 伊凡尼一家顿时陷入了一篇黑暗当中，母亲终日以泪洗脸，姐姐艾琳压抑着痛苦照顾悲伤的父母，而父亲，更是因为过度悲痛而不能继续工作。而儿子空空如也的房间，深深刺痛了每个家人的心。 远方寄来一个女孩子的来信，来信成全了家人对儿子的追思，并令到这个家庭重新有了一丝生机。然而逝者如斯，各人内心的伤痛，只有时间能慢慢治疗。
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罗迪·赫林顿
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汤姆（布鲁斯·威利斯 Bruce Willis 饰）出生于警察世家，他与父亲文森特（约翰·玛哈尼 John Mahoney 饰）不仅同为警察，两人还经常作为搭档一同执行任务。在一次意外中，文森特不幸身亡，父亲的死让汤姆感到了深深的愧疚，他陷入了自责和悲伤中无法自拔。 一起连环恶性凶杀案件的发生让整个匹兹堡陷入了恐慌之中，通过种种线索的调查，汤姆坚持认为凶手系警方人士，汤姆因此而遭到了业内的排挤和降职。时隔两年，类似的凶杀案再度发生，对案件依旧耿耿于怀的汤姆决定独自调查此事。随着调查的深入，汤姆惊讶的发现凶手竟然和父亲的死有着千丝万缕的联系，而汤姆的一举一动，似乎都在凶手的掌控之中。
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让·雷诺阿 Jean Renoir
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Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
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Michael Preece
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罗根的爸爸是一名地方检察官，就在他准备出庭将阿尔伯特家族的三兄弟诉之于法庭的前夜，罗根亲眼看着爸爸、妈妈和妹妹被闯进来的三名歹徒杀害。 遭此劫难后，发誓报仇的罗根被杰克叔叔接到了他的农场。叔叔曾经是军队里的拳击和跆拳道冠军，当杰克叔叔发现罗根有一种预知危险的第六感官后开始教他练习武功。十五年后，罗根在叔叔的帮助和指导下练就了一身强壮的躯体和非凡的武功。 为了加强历练，罗根还参军来到巴拿马军事基地。在这里，罗根以其特别的第六感官在营救战友的行动中赢得了一枚和叔叔一样的杰出服务勋章。退役后，罗根回到了芝加哥，在祭奠十五前蒙难的父母时，三名歹徒的嘴脸再一次清晰的浮现在他的眼前。罗根化名成杰米·泰斯塔后开始了自己的复仇计划。他凭借非凡的武功混进了麦那·卡洛的犯罪团伙，经过一番考验后，罗根顺利的见到了集团的幕后指使阿尔伯特·塔戈罗。 罗根与当年负责爸爸被害案件的汤尼警探取得联系后只身来到了塔戈罗的总部，见到当年残害父母的仇人，罗根亮名自己的真实身份后开始了一场恶战，在随后赶来的杰克叔叔的帮助下，罗根最终将这个罪大恶极的犯罪集团彻底铲除。
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爱德华·迪麦特雷克
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马洛（迪克·鲍威尔 Dick Powell 饰）是一名独来独往的私家侦探，某日，马里特（Douglas Walton 饰）找到了马洛聘他当自己的保镖，结果马洛却莫名其妙的挨了一顿打。之后，一个叫安（安妮·雪莉 Anne Shirley 饰）的女孩现身，她告诉马洛，他所遭遇的一切和她的继母格雷尔夫人及其所拥有的翡翠有着千丝万缕的关联。对翡翠深感好奇的马洛决定将这一连串的事件调查个水落石出。 在安的协助下，马洛对事件的全貌渐渐的有了了解，而隐藏在背后的，是安的父亲（迈尔斯·曼德 Miles Mander 饰）。不仅如此，不久之前，马洛受雇寻找一个名叫维尔马的女子的下落，这名女子竟然也被牵连进了翡翠的案件之中。
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马塞尔·莱尔比埃
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19世纪，描写美与丑的文学作品风靡一时。“美”之古怪亮丽，有供人欢愉的脱衣舞会所，有病势严重的私生子，有麻木不仁的上层人士，有父亲之命的婚姻，还有未遂企图的凌辱糟蹋，以及其他。“美”之感情丰富，既有美丽者如真爱，也有残酷者如恐惧与恨。被身处社会上层的爱人无情抛弃之后，可 怜的女人为了支付儿子的医药费，无奈旋舞于众人之前，卖弄色相。受迫于父亲之命，心早有所属的姑娘不得不面对即将于一位年逾古稀者结为夫妻的残酷现实。 摄于1921年，法国马塞尔·莱皮埃导演，片头字幕中特别注明：这是一出“闹剧”，表达了莱皮埃对汤玛斯·英斯那种平凡的轶事式的题材的轻视，他以标新立异的形式讲述了西班牙舞女西比拉的悲剧命运。莱皮埃从法国的印象派画家和美国的格里菲斯以及瑞典的斯约斯特约姆的艺术成果中吸取营养，把特技作为重要的电影表现手段。影片中精练而完美的摄影技巧，使西班牙的户外风景和室内布景协调一致，并对剧情发展到起重要作用。影片还探讨了艺术技巧抒发激情的方法。
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达维德·厄洛芬
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达吕（维果·莫腾森 Viggo Mortensen 饰）是一名在阿尔及利亚出生的法国人，如今，他在一处地处偏远的山区学校里担任着教师的职务。某日，一名警察出现在了达吕的面前，将一名五花大绑的犯人默罕默德（雷达·卡特布 Reda Kateb 饰）交给了达吕，这个男人被控告杀死了自己的堂兄，达吕要将他押往临近的村庄接受审判。 这门苦差事令达吕感到非常的头痛，因为他知道，只要默罕默德抵达了村庄，那么等待着他的就只有死亡，他不愿意做这样一个推手，但警察将默罕默德丢给达吕后就离开了，无奈之下，达吕只得带着默罕默德踏上了旅途。一路上，达吕不仅要提防默罕默德逃跑，还要保护他不受死者的亲属的袭击。
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Arnaud Bouron,Antoon Krings
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阿波罗（贾斯汀·朗 Justin Long 配音）是一只蟋蟀，同时也是一名正在流浪旅途中的艺术家。这一天，阿波罗来到了一片神秘的花园之中，阿波罗必须为获得留在这里的资格而付出努力，同时，阿波罗还要应付一心想要陷害他的黄蜂温蒂（劳丽·海姆斯 Laurie Hymes 配音）。 这一天，阿波罗邂逅了蜂后玛格丽特（凯特·玛拉 Kate Mara 配音），两人一起散步约会唱歌，好不快乐。哪知道，土匪飞蛾斯芬克斯（Ryan Nicolls 配音）带着他的爪牙绑架了玛格丽特，而温蒂则趁此机会谋权篡位，坐上了王座。为了救出玛格丽特，阿波罗挺身而出，和玛格丽特的一干好友们展开了和温蒂的周旋。
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彼得·格林纳威
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彼得·格林纳威1987年作品，英国学院奖最佳编剧、最佳美术指导提名；戛纳参赛片。导演是画家出身，其作品的影像风格自然都是别具一格的色彩斑斓。 美国建筑师Stourley Kracklite和他已经怀孕的年轻妻子Louisa来到罗马组织一个纪念18世纪富于幻想力的法国建筑 师Etienne-Louis Boullée的展览。然而Kracklite却被腹疾所折磨，Louisa则与身为展览赞助者的潇洒的年轻建筑师Caspasian Speckler眉来眼去。电影有个特别的焦点，肚皮——建筑师生病的肚皮和妻子怀孕的肚皮，圆滚滚的形状直让人想起Boullée设计的那些圆顶建筑……
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鲁本·马莫利安
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翻拍自《妮诺契卡》 A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer.
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Thorold Dickinson
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Twenty years ago, old Mrs. Barlow was killed in her home at 12, Pimlico Square for her priceless rubies. The murderer searched the whole house without finding them, then disappeared. The house has been empty since then, but now Paul and Bella Mallen move into the apartment. Bella Mallen suffers from forgetfulness and nervousness - at least that is what her husband tells her. An elderly horse wrangler, B.G. Rough worked as a policeman twenty years ago and still remembers the unsolved case. He notices that Mr. Mallen looks just like Louis Barre, Mrs. Barlow's nephew. And why does Mr. Mallen so mysteriously leave every night just to go into the apartment next door, nr. 14?
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马塞尔·莱尔比埃
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19世纪，描写美与丑的文学作品风靡一时。“美”之古怪亮丽，有供人欢愉的脱衣舞会所，有病势严重的私生子，有麻木不仁的上层人士，有父亲之命的婚姻，还有未遂企图的凌辱糟蹋，以及其他。“美”之感情丰富，既有美丽者如真爱，也有残酷者如恐惧与恨。被身处社会上层的爱人无情抛弃之后，可 怜的女人为了支付儿子的医药费，无奈旋舞于众人之前，卖弄色相。受迫于父亲之命，心早有所属的姑娘不得不面对即将于一位年逾古稀者结为夫妻的残酷现实。 摄于1921年，法国马塞尔·莱皮埃导演，片头字幕中特别注明：这是一出“闹剧”，表达了莱皮埃对汤玛斯·英斯那种平凡的轶事式的题材的轻视，他以标新立异的形式讲述了西班牙舞女西比拉的悲剧命运。莱皮埃从法国的印象派画家和美国的格里菲斯以及瑞典的斯约斯特约姆的艺术成果中吸取营养，把特技作为重要的电影表现手段。影片中精练而完美的摄影技巧，使西班牙的户外风景和室内布景协调一致，并对剧情发展到起重要作用。影片还探讨了艺术技巧抒发激情的方法。
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弗莱德·戴克尔
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泛消费公司已完全掌控了底特律市之后，与日本金光财团合作组建OCP，在底特律开发三角洲城，并招揽雇佣兵组成暴力改建队，驱逐居民，相当数量的拆迁地居民为捍卫家园组成武装力量反抗财阀的不义计划，女童妮科（Remy Ryan Hernandez 饰）凭借高超的电脑技术在反抗军中表现抢眼。机器战警墨菲（Robert John Burke 饰）与老搭档路易斯执行任务期间偶然发现了居民们的藏身地点，出于正义感，墨菲同随后赶到的改建队交火，机体损坏严重，路易斯不幸身亡，墨菲决定加入反抗军。同时日本方面为执行拆迁计划派出特工忍者雄志，改建队头目亦利用反抗军中的叛徒查到了反抗总部。在妮科的帮助下，墨菲被拉瑟斯博士整修完备，汇同不齿改建队暴力行径而选择站到居民一边的底特律警察们，同雄志、改建队展开最后决战。
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Irwin Allen
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The boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...
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Edward L. Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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菲利普·格朗德里厄
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A car, following the Tour de France. Children screaming in front of the puppet show. Women, often prostitutes, trying to scream as they are being strangled. Then he will meet Claire, the virgin who will give herself to him, and perhaps deliver him from his malediction. Written by Gregoire Dubost {gregoire.dubost@polytechnique.fr}
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乔治·卢卡斯
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1962年，Curt Henderson(理查德·德莱弗斯 Richard Dreyfuss 饰）、Steve Bolander（朗·霍华德 Ron Howard 饰）、John Milner（保罗·勒马特 Paul Le Mat 饰）还有Terry "The Toad" Fields（查尔斯·马丁·史密斯 Charles Martin Smith 饰）四个普通的青年在晚上相聚，为即将去外地读大学的Curt和Steve送别。Steve把他的汽车借给了Toad，Toad需要这辆车去寻找他的爱情。Curt开车在马路上，听到一个金发女郎对他说“I love you！”，他急切想找到这个女人，却在路上让另一个女孩上了他的汽车。而Steve也在忙着处理和女友Laurie（辛迪·威廉姆斯 Cindy Williams饰）的关系。John 则准备和另一个人赛车。Toad则认识了另一个美女Debbie（坎迪·克拉克 Candy Clark 饰），两人把车开到了郊外，却意外把车给丢了......在这个夜里，这四个青年的活动为我们展现了六十年代初美国人的精神和生活状态。 本片被提名当年奥斯卡最佳影片，最佳导演和最佳女配角等几个奖项。
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鲍勃·福斯
剧情：
具争议性和开创性的喜剧演员伦尼布鲁斯的传记电影，全片追溯伦尼布鲁斯反政府的政治观点。全片以倒叙的手法，分别从母亲、妻子和经纪人的角度出发讲叙了喜剧演员伦尼布鲁斯的一生。 在伦尼布鲁斯早年还未出名之际，那时他只是个普普通通的喜剧演员，他遇到了跳脱衣舞的哈妮，并爱上了她。不顾经纪人阿蒂和母亲的反对，伦尼坚持同哈妮举行了婚礼，并与老闆发生争执，因为他坚持要按照自己的个人风格进行表演，老闆一怒之下将他解雇。这时，哈妮受伤住进了医院，伦尼在探病期间同一个护士关係暧昧，对此有所察觉的哈妮同伦尼吵闹了一番。后来，他们搬到了加尼福尼亚。虽然伦尼极力反对，哈妮还是重操旧业，当起了脱衣舞女。 伦尼沉迷于吸毒不能自拔，哈妮生下了一个孩子，夫妻间常为吸毒的事而爆发激烈的争吵。有了孩子的第二年，他们分手了。因有贩卖毒品的嫌疑，哈妮被捕入狱。伦尼此时却因发挥出自己的喜剧天才获得观众认可，在事业上有了突破，成为红极一时的明星，但知名度却并未改善伦尼的境遇......
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弗朗西斯·福特·科波拉
剧情：
杰克（罗宾·威廉姆斯 Robin Williams 饰）是一个不同寻常的孩子，患有罕见早衰症的他有着比常人快4倍的成长速度，这就意味着，年仅10岁的他将以40岁的形态和孩子们坐在一起上课。刚开始，同学们对于这个特殊的“大孩子”并没有展现出多少的善意，他们甚至因为他怪异的外形而对他做了诸多的恶作剧。可是，随着时间的流逝，杰克的善良和真诚感染了同学们，一段段真挚的友谊在班级里建立起来。 除了自己的外形常常造成各种不必要的误会外，身为“大孩子”的杰克还有这另外的烦恼，他不仅被一位同学的母亲误认为校长，更是让其坠入了爱河。当然，最令杰克感到难过的是，病情的加重让他无法再继续念书，和朋友们告别的日子近在咫尺。